Escape halloween 2022 dates9/24/2023 ![]() ![]() Our seasonal attractions are spearheaded by Europe's largest Scream Park - Tulleys Shocktober Fest! ![]() We have some of the country’s best Escape Rooms with four elaborately themed rooms, set in a relaxed environment with a licensed bar and lounge. We do this by creating unique entertainment experiences for families, adults and groups, that unite great design with exceptional talent and create lasting memories. local roadworks continue - we are still open. “My goal has always been to push the envelope further, whether it’s popular or not, and that’s just what I’ll continue to do,” he said. He’ll also be expanding his tour and said he’s looking forward to creating more new music. He’s currently putting the finishing touches on his own studio, where he plans to produce music and bring in bands to record. “I wanted to work with artists that were taking a risk in their own right, whether they were on the electronic or metal side and bring them into my world,” Capuozzo said of the release. The idea to mix metal, punk and hardcore with EDM is prevalent in his most recent album, “New Breed.” It blends sweeping guitars, breakdowns and bass drops. ![]() “By the end of it, both the metalheads are headbanging with the dubstep kids, and it’s like they got it, and they’re here doing it together,” he explained. “I really wanted to give them a chance to have their moment where there is a safe space created by people around them.”īut for the most part in the pit, there is unity, Capuozzo said. “Girls headbang and mosh, and they like the music just as much as these bigger guys do,” Capuozzo said. Earlier this year, Capuozzo stopped mid-set after seeing a man get aggressive in the space he clearly allocated for women, and said he’ll always stop the show if he sees stuff like that happening. In the past, the DJ noticed that some women during his sets looked uncomfortable in the mosh pits, so he started carving out all-women mosh pits to allow them a safer experience. Capuozzo sees that within his sets and said there are occasions where there isn’t a veteran presence to guide the mosh pit with the etiquette he grew up seeing at punk and metal shows. In today’s heavier bass-oriented EDM scene, it’s not uncommon to see mosh pits form. Capuozzo said that looking out into the audience, he saw two very different worlds interacting, but on very common grounds. The idea was to give the music more life and to get the audience to visually understand how the music is made. Three years later, he started doing sets that he dubbed Kayzo Unleashed, which incorporated live instruments and metal and hardcore bands into his performances. He realized that EDM and these others genres had more in common than he thought and spent the next couple of years working with some of his favorite bands like Underoath, Of Mice and Men, Papa Roach, All Time Low and Atreyu. In 2016, he said he found further inspiration in some of the alternative, punk, metal and hardcore bands he grew up listening to. In the following years, Capuozzo performed with some of his favorite EDM acts on the festival stages he once looked up to as an audience member. “That gave me so much confidence to push forward after school was done.” “That opportunity was a huge shift for me in the beginning and realizing that maybe I could make this work in the real world,” Capuozzo said. Capuozzo said that moment truly launched his career. Near the end of the program, his girlfriend at the time was the one that encouraged him to enter Insomniac’s Discovery Project competition. His parents were supportive of the idea and after Christmas, he packed his things, drove to Los Angeles and enrolled in the nine month program at Icon Collective, where he spent 12-hour days dedicated to learning his new craft. He had to convince his parents, so that Thanksgiving break, he created a PowerPoint presentation to explain that he’d learn to make music, work in the studios and make music for other artists, too. “Right then and there, I decided I was going to drop out of college and go to school for music, and I was going to move to L.A., and I was going to make it happen,” Capuozzo said. But after seeing a post on social media about the Icon Collective music school in Los Angeles, he immediately got in touch with an admission representative. ![]() “I questioned whether my love for electronic music was something I just enjoyed listening to or if it was about trying to understand the other side of things, like how do I make people feel this way and how I could learn to make music like this one day.”Īfter deciding professional hockey wasn’t in the cards, he moved back home and attended a semester at Texas Tech University, where he really got into making music. “That’s where my love for electronic music was put into question,” Capuozzo said. ![]()
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